Georges Bataille, Michel Leiris, Marcel Griaule, Carl Einstein, Robert Desnos and writers associated with the Acéphale and Surrealist groups
ATLAS ARKHIVE 3
Georges Bataille & Acéphale
|Translated by Iain White, Dominic Faccini, Annette Michelson, John Harman, Alexis Lykiard etc. Edited by Georges Bataille, Robert Lebel & Isabelle Waldberg. Introduced by Alastair Brotchie.
|ISBN 0 947745 87 2|
176pp paperback 21 X 23cm
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Comprising the Critical Dictionary and Related Texts edited by Georges Bataille and the Encyclopædia Da Costa edited by Robert Lebel & Isabelle Waldberg
The ideas of Georges Bataille (1897-1962) are being increasingly recognised as offering vital insights into the whole areas of human existence, and over the last few years most of his important theoretical and fictional texts have appeared in English. Yet Bataille’s thought is complex, and his books make few concessions to the reader. The first series of texts here, however, were written for a wider audience by Bataille and his friends, in the form of a dictionary, and they provide a witty, poetic and concise introduction to his ideas.
The Critical Dictionary appeared in the magazine edited by Bataille, Documents, the second series of texts, the Da Costa Encyclopédique was published anonymously after the liberation of Paris in 1947 by members of the Acéphale group and writers associated with the Surrealists. Both cover the essential concepts of Bataille and his associates: sacred sociology; scatology, death and the erotic; base materialism; the aesthetics of the formless; sacrifice, the festival and the politics of the tumult etc: a new description of the limits of being human. Humour, albeit, sardonic, is not absent from these remarkable redefinitions of the most heterogeneous objects or ideas: Camel, Church, Dust, Museum, Spittle, Skyscraper, Threshold, Work - to name but a few.
The Documents group was celebrated for joining together artists, authors, sociologists and ethnologists (among the most important of their time) in a literary and philosophical project. The Acéphale group was more mysterious, even its membership is only vaguely known, and its activities remain secret. The origins of the Da Costa only became known in 1993, the present volume reveals for the first time its principal compilers: Robert Lebel, Isabelle Waldberg and Marcel Duchamp, even so, the identity of the authors of a large part of it remain unknown.